Archives


Semi-final performance order

In a live, competitive competition, what you do and when you do it both are important. But how important is the “when” bit, when the immediate goal is qualifying for the Grand Final? In this article John Egan looks at the question of Grand Final qualification in the two semi-final era of the Eurovision.


Victory and the Russophone bloc in the #eurovision Grand Final

Does said membership disproportionately benefit a 12 member Russophone bloc’s preferred entry? Click through for a lengthy analysis!


Lisbon 2018 Retrospective: Semi-Final Two #eurovision #allaboard

The first 2018 semi-final offered an embarrassment of riches: there being a sense of disappointment with what would follow on Thursday seemed inevitable. But even with a lowered set of expectations, what was delivered on Thursday felt, with a few exceptions underwhelming. There was another element to the luck of the 2018 draw that seemed […]


Lisbon 2018 Retrospective: Semi-Final One

There are few aspects of the Eurovision for which a consensus view emerges. But in 2018 there seemed to be one: that the first semi-final had more than 10 qualification-worthy entries. A corollary of this is that the second semi-final only had a handful of strong entries. This imbalance was accidental—due to the random allocation […]


Kyiv 2017 Semi-Final Pot Analysis @escinsight

My analysis of the results of the semi-final allocation for 2017 can be found here.


Drawn in quarters: initial thoughts on the 2016 draw

In our previous article we considered what sorts of outcomes from the semi-final allocation draw might impact this year’s Contest. Now that we know whether each semi-finallist will perform in either the first or second semi-final. And whether they will perform in the first or second half of the draw. Bear in mind, the producers […]


Pot calling kettle: implications of the 2016 allocation pots

In advance of next weeks draw for semi-final allocations–and the spot in the Grand Final for hosts Sweden, whose spot is never produced select for (even more) obvious conflict of interest reasons–we now know the pot allocation for the semi-finallist. Rather than a pan-Contest randomised draw, the process is as follows: The 6 pre-qualified finalists […]


Schlager on the Bloc: Scandinavia, Back Scratching, and the Eurovision

It’s been happening for years. As long as there’s been a live voting sequence at the Eurovision Song Contest some countries seem to be more…supportive…of one another. Thus, in this article we focus our lens on the Scandi bloc and it’s voting history in the semi-final era of the Eurovision Song Contest.