Today the 2020 Eurovision season kicked up a notch. There was the “insignia exchange ceremony” from the Tel Aviv organizers to those from Rotterdam (which is mildly interesting) and the allocation draws for the semi-finals (which is very interesting). I did not watch the live stream—which started at 04h New Zealand Daylight Savings Time, our […]
This year the EBU has refined the pots system used to allocate semi-final spaces. The pots, which are a thoughtful but coarse method to denude the impact of voting blocs, was instituted in Belgrade 2008. This has increased the qualification record of some ostensibly perennially struggling delegations. But it is but one of many tweaks to how […]
In a live, competitive competition, what you do and when you do it both are important. But how important is the “when” bit, when the immediate goal is qualifying for the Grand Final? In this article John Egan looks at the question of Grand Final qualification in the two semi-final era of the Eurovision.
The first 2018 semi-final offered an embarrassment of riches: there being a sense of disappointment with what would follow on Thursday seemed inevitable. But even with a lowered set of expectations, what was delivered on Thursday felt, with a few exceptions underwhelming. There was another element to the luck of the 2018 draw that seemed […]
There are few aspects of the Eurovision for which a consensus view emerges. But in 2018 there seemed to be one: that the first semi-final had more than 10 qualification-worthy entries. A corollary of this is that the second semi-final only had a handful of strong entries. This imbalance was accidental—due to the random allocation […]
In our previous article we considered what sorts of outcomes from the semi-final allocation draw might impact this year’s Contest. Now that we know whether each semi-finallist will perform in either the first or second semi-final. And whether they will perform in the first or second half of the draw. Bear in mind, the producers […]
In advance of next weeks draw for semi-final allocations–and the spot in the Grand Final for hosts Sweden, whose spot is never produced select for (even more) obvious conflict of interest reasons–we now know the pot allocation for the semi-finallist. Rather than a pan-Contest randomised draw, the process is as follows: The 6 pre-qualified finalists […]
It’s been happening for years. As long as there’s been a live voting sequence at the Eurovision Song Contest some countries seem to be more…supportive…of one another. Thus, in this article we focus our lens on the Scandi bloc and it’s voting history in the semi-final era of the Eurovision Song Contest.