Aside from its own argot—because expressions like pre-selection, do a Rossinelli, PED, Eurovision-by-numbers, styling och consulting, make no sense outside ESC fanland—few topics are as vexing as the issue of language at the Eurovision. Whilst for the most part the Contest using English as its business language is accepted (with French increasingly only used for […]
Around a hundred million people watched at least part of this year’s Grand Final. In fact, for many viewers the Saturday night show is the Eurovision Song Contest. However, most of the songs in a Grand Final have to earn their place through qualification from a semi-final—and only twice in the televote era has an […]
In many respects 2017 has been a noteworthy one. In this first article we take a look at some of the Grand Final results. This is the first in a series: subsequently we will drill down into particular elements of this year’s results, including detailed looks at the two semi-finals. Joy More than fifty years […]
In this next article in our series looking back at the 2016 Contest we examine the overall Grand Final results. We identify the winners (yes, plural), and highlight how differential jury and televote scores are no longer squashed to the bottom of the leader board.
In the dark of night they worked, cobbling together performance data, considering delegate importance and personalities, and calling upon their extensive experience as light entertainment producers to create something magical. But what does this year’s producer-led draw tell us?