In a live, competitive competition, what you do and when you do it both are important. But how important is the “when” bit, when the immediate goal is qualifying for the Grand Final? In this article John Egan looks at the question of Grand Final qualification in the two semi-final era of the Eurovision.
The first 2018 semi-final offered an embarrassment of riches: there being a sense of disappointment with what would follow on Thursday seemed inevitable. But even with a lowered set of expectations, what was delivered on Thursday felt, with a few exceptions underwhelming. There was another element to the luck of the 2018 draw that seemed […]
There are few aspects of the Eurovision for which a consensus view emerges. But in 2018 there seemed to be one: that the first semi-final had more than 10 qualification-worthy entries. A corollary of this is that the second semi-final only had a handful of strong entries. This imbalance was accidental—due to the random allocation […]
In our previous article we considered what sorts of outcomes from the semi-final allocation draw might impact this year’s Contest. Now that we know whether each semi-finallist will perform in either the first or second semi-final. And whether they will perform in the first or second half of the draw. Bear in mind, the producers […]
In advance of next weeks draw for semi-final allocations–and the spot in the Grand Final for hosts Sweden, whose spot is never produced select for (even more) obvious conflict of interest reasons–we now know the pot allocation for the semi-finallist. Rather than a pan-Contest randomised draw, the process is as follows: The 6 pre-qualified finalists […]